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Showing posts with label Book Reviews. Show all posts
Showing posts with label Book Reviews. Show all posts

The Tattoosday Book Review: The Word Made Flesh

If you're looking for an awesome gift for an ink-loving special someone this holiday season, and you can't afford a budget-buster like Marisa Kakoulas' Black & Grey Tattoo, I'd strongly recommend The Word Made Flesh: Literary Tattoos from Bookworms Worldwide.



As a lover of both literature and tattoos, The Word Made Flesh is right up my alley and, judging by the long-standing interest in sites like Contrariwise, should be an enjoyable read for many.

Last year, it seems, when I first posted (here) about Eve Talmadge's call for submissions, I was a bit jealous in a why-didn't-I-think-of-doing-that sort of way. But I quickly got over the inkblogger envy and waited with anticipation to see how this would turn out.

The answer: pretty darn good.

The Word Made Flesh, as the subtitle describes, juxtaposes photos of tattoos of a literary flavor, with blurbs from the contributors. There is poetry and prose, as well as more symbolic imagery to represent specific themes.

Compiled by editors Eve Talmadge and Justin Taylor, the reader is treated to a nice range of work, with a handy appendix which gives, when possible, credit to the artists and/or shops where the tattoos were inked.

I wondered, when starting the book, if I would see any tattoos that had appeared on Tattoosday. Sure enough, page 117 features a pair of alphabetic ankle tattoos, one of which appeared in this past year's Tattooed Poet's Project, here. To counteract that, there are two subjects who declined to participate in the same project.

The range of photos and stories is done quite well. We also get a snapshot of Shelley Jackson's Skin Project, and a lovely piece belonging to Katherine Barthelme, accompanied by an apropos story by her father, the late Donald Barthelme. Plus, amazing work like this:

©2010 Eva Talmadge & Justin Taylor

There is something for everyone here, unless of course, you're a barbarian and have never read a book in your life.

I heartily recommend this title and at a list price of  $14.99, it won't break the bank.

There's a slide show here, over at The Daily Beast.

You can read and see more, as well as hear how to submit for a possible sequel, at www.tattoolit.com. I also recommend visiting contrariwise.com, as well as checking out the Tattooed Poets Project index, which links all the tattooed poets who have appeared here the last two years.

You can buy the book here:















And, as for what's next from the editors, a recent email from the editor's says it all:
"I'm happy to announce that we are now collecting images of music-related tattoos for our next book. Song lyrics, band logos, record labels, musician portraits, you name it -- if it's in your skin and has to do with a musician, song or band, we want to put it in a book. Pass the word, tell your friends. Here's the fine print:

THE WORDS TO EVERY SONG: Music Tattoos from Around the Globe (working title, suggestions welcome), edited by Eva Talmadge.

Submissions now open for high-quality photographs of all kinds of music related tattoo work: band logos, song lyrics, record labels, musician portraits -- if it's a tattoo inspired by music and it's on your body, we want to see it!

We're looking for a wide range of genres and eras -- from classical to rock'n'roll to hip hop, punk rock, indie and soul -- if you ever loved a song or a band or a musician so much you went to a tattoo shop and made your devotion permanent, we want to know about it!

As with THE WORD MADE FLESH, we don't want just the images. We also want a few words from you about why you got your tattoo, what that music means or has meant to you, and any anecdotes involved. How much (or how little) you choose to say about your tattoo is up to you, but a paragraph or two should do the trick.

And of course please do provide us with tattoo artist/shop credit, photographer credit, your name or pseudonym, the city and state or country where you live, and the name of the band or song or composer your tattoo refers to (even if it's obvious).

Deadline for the first round is 12/31


Please send clear digital images of the highest quality possible to tattoolit@gmail.com. Images should be around 2000 pixels across, or a minimum 300 dpi at 5 inches wide, but if you're not sure about all the technical stuff, just set your camera to its highest resolution and send the best photo you can. Text should be included in the body of the email, not as an attached document. Also be sure to include one or more pieces of contact information, so we can let you know if you’re going to be in the book.

And finally, we are indeed still collecting literary tattoos for the tumblr blog, http://tattoolit.com. If you have a literary tattoo and want the world to see it, please do e-mail it to us at tattoolit@gmail.com, or submit it directly (as an image, not text) to http://tattoolit.com.
And, of course, I'd be remiss if I didn't direct people here and here, the tags that link all the literary tattoos that have appeared here on Tattoosday.
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The Tattoosday Book Review: Kat Von D's The Tattoo Chronicles

You can say a lot of things about Kat Von D. She is arguably one of the most well-known tattoo artists in the United States, if not the world. This fact, to old school tattoo enthusiasts, is not necessarily a good thing. She is the star of the hit "reality" series, L.A. Ink, has her own make-up line at Sephora, and on October 26, her second book, The Tattoo Chronicles, is being released by HarperCollins Design. And whether you love her or hate her, it's hard to argue the fact that this book, like its predecessor High Voltage Tattoo, is a lovely effort that looks and feels amazing.


Like her first book (reviewed last year on Tattoosday here), Kat Von D lets you into her world, with glossy detailed photos of her work and clients. But whereas her first book shows mostly her public persona, the new effort gives us an inside look at the inner thoughts and feelings of someone who is portrayed very much as a "character" on her television show.

It is L.A. Ink that has brought her fame, yet also the scorn and scrutiny of her detractors. The new book lets us peek behind the scenes and, if you didn't realize this already, the Kat Von D you see on the show is not the whole package. Through a diary/journal format, the reader is granted greater access to Kat's true emotions and feelings. We finally get to peek behind the character Kat Von D and meet the person.

It was on Page 44 where I first felt the facade truly come down. She talks about getting booed in the shop by "fans" who resent that she won't drop what she's doing to pose for photos for them, and there is the matter of the stalker who freaked everyone out in the shop. Granted, these are consequences nowadays for success of her order, but you certainly believe that such consequences were not anticipated when she headed down the road to fame.

It is also fascinating to read Kat's frustration with the onset of another season of L.A. Ink. If you're looking for validation that the only thing real on the show is the tattoos, it's here. I was reminded of Charles Bukowski's strong aversion to poetry readings. He despised them, yet they were often necessary as sources of income. The spectacle often outshone the poems. Similarly, L.A. Ink's forced drama often swallows up the tattoos, yet the drama drives ratings, which lets the series continue to showcase tattoos, which is why many of us tune in in the first place.

Whereas I found her journal entries fascinating, as I am sure most readers who are fans of the show will as well, there are still pages and pages of photographs featuring her work (drawings, sketches, and of course, tattoos) that are breath-taking in their beauty.

Viewers of the show  know that this book has been in the making for a while and it has found its way into plot points as well. Fans will also note that the author's relationship with Nikki Sixx, bassist for Mötley Crüe, runs throughout the volume (as it has in the reality series). However, 2010 has been a tumultuous year for the couple, having broken up, and then, quite recently, reportedly gotten back together. All that said, it's very interesting to read about the relationship with a future perspective.

Or, it isn't. If you're not interested in Kat's "personal" life, then perhaps you should pass on this book. I can see her detractors poring over the text, looking for evidence that reinforces their negative image of the artist, one that has been honed by the one-dimensional portrayal of her reality show and the tabloids.

For fans however, and the followers of Kat Von D's career, The Tattoo Chronicles, will be a treat, to be savored, an all-access pass to a window of her life, with a stunning visual guidebook to pore over, with evidence enough to back up her on-air claim of being so busy all the time.

My one criticism would be that we don't see enough of her tattoos, which is really what she is all about. I mean, sure it's interesting to see a full-page shot of her stuffed albino squirrels, but is it really necessary? I would have rather seen more art that she created, rather than collected.

However, in the end, I was delighted with the book. It really adds dimensions to one of the more dynamic celebrities in the tattoo industry. I doubt that it will turn detractors into fans, or fans into detractors, but it certainly provides those who admire Kat Von D for her art, a little more validation that she is a talented, complicated individual that can not only create amazing body art, but knows how to wow us with her pen, as well.
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The Tattoosday Book Review: Driven to Ink, A Tattoo Shop Mystery

Earlier this week, author Karen E. Olson released the third installment of her Tattoo Shop Mystery series, Driven To Ink.




For those readers who may not be familiar with Ms. Olson's series, you can check out my reviews of the first two books, here (The Missing Ink) and here (Pretty in Ink).

The series features Brett Kavanaugh, a Las Vegas-based tattoo artist, and a cast of supporting characters, from her police officer brother Tim, to fellow artist and competitor Jeff Coleman, owner of the shop Murder Ink. Kavanaugh's staff at The Painted Lady, a high-end tattoo shop at the Venetian Hotel and Casino, also offers up some memorable characters, including Bitsy, the diminuitive shop manager.

Driven To Ink, like its predecessors, has an "only in Las Vegas" feel, with a well-crafted narrative that, this time around, revolves around a drive-thru wedding chapel called "That's Amore" that features a handful of Dean Martin doppelgängers crooning, you guessed it, "That's Amore".


Olson has once again spun a riveting tale, which finds Brett Kavanaugh discovering a dead Dean Martin imperspnator in her trunk, with a tattoo machine's clip cord around the victim's neck. She had just lent her car, a Mustang Bullitt, to Jeff Coleman's octogenarian mother, Sylvia, so she could get married in style at the That's Amore chapel.

What I love about Karen Olson's books is that tattoos are seen above and beyond base clues in a murder mystery. She treats the vocation with utter respect, explaining things to the reader as if they were new to a tattoo studio. Tattoos may serve as clues, but they are not regarded as these huge totems that define their owners.

Brett Kavanaugh is an enjoyable protagonist, not without faults, and the author let's the reader tag along on her adventures that start off innocently enough, but pull her into deeper and deeper water. It's no surprise that one of the recurring characters is an Emergency Room doctor, as medical attention seems to be needed from time to time, making this mystery series ring truer than one in which the hero (or heroine) dances through their adventure unscathed.

Olson's first book in the series was a novelty. A new mystery with tattoos at the center of the narrative. After three volumes, Brett Kavanaugh seems more real, more human, than ever before.

A word to the skeptics, those tattoo snobs who may scoff at the light-hearted appearance of these books: Karen Olsen has given a gift to the tattoo community in the form of Brett Kavanaugh. Driven To Ink is another great mystery, with a respectful and honest portrayal of one artist/sleuth who just happens to be a tattoo shop owner.

I have enjoyed every one of Ms. Olson's books and Driven To Ink is yet another chapter in the fascinating life of Brett Kavanaugh. I'm looking forward to her next installment which, I am led to believe, is tentatively called Ink Flamingos.

Check out Karen talking about her first Tattoo Shop Mystery here:




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The Tattoosday Event and Book Review - Body Type 2: More Typographic Tattoos


I'll be honest with you. Last year at this time, I had no idea who Ina Saltz was, nor had I ever seen her book Body Type, a volume dedicated to typographic tattoos.

Then, I met Elizabeth, a typographer who has all twenty-six letters of the English alphabet tattooed on her body in random spots. The day I met her, she was planning on meeting Ms. Saltz to discuss her work. Her lettered ink also reacquainted me with the talents of Stephanie Tamez, a tattoo artist, who is regarded by many, including Ms. Saltz, as one of the best at inking words, although that's certainly not her only strength as a tattooist.

Meeting someone so passionate about typography and ink prompted me to go out and get a copy of Body Type and I loved it. As you'd imagine, I was thrilled to see its sequel in stores recently. And when I was alerted by the Needles and Sins blog to Ms. Saltz's upcoming appearance at a Manhattan bookstore, I jumped at the opportunity to go.

After a slight detour to the wrong Barnes & Noble (fortunately only 13 blocks away), I found my way to the store's event area and found a seat. I chatted briefly with a student of Ms. Saltz, who wears two Arabic script tattoos on the inside of both wrists. However, I noticed that, as the room filled, the audience appeared (key word appeared) slightly less inked than I would have imagined. I later learned that there were many of the author's colleagues from City College in attendance and that there were also quite a few tattoos tucked away under clothing.

Ms. Saltz was introduced and gave a brief twenty-minute presentation. She discussed the book and showed slides of many of the tattoos, and some others, that have appeared in the two books.

A Q & A session followed, revealing that many in the audience were not all well-versed in the art of tattoo. There were questions about permanence, the whys of tattooing (including one asking why Ms. Saltz had no tattoos - the answer: she doesn't like needles) and one gentleman's inquiry about how to find a good tattoo artist. Body Type certainly has a broad appeal, drawing in typographers, graphic designers and other "type geeks".

Photo © 2010 Ina Saltz

Ms. Saltz talk went over many of the "types" of type tattoos - the literary (like the Walt Whitman excerpt, above), ambigrams, and ink that focused on fonts, just to name a few. She emphasized that possessors of type tattoos tended to all have some level of college education, holding degrees, or even advanced degrees. The implication, and a fair one I think, is that such tattoos are more intellectual in nature than, say, a half-sleeve of flowers or grinning skulls.

But as passionate as she is about fonts and designs, the audience could certainly tell that the stories behind the tattoos were a bonus that infused them with a much greater emotional weight.

Take this example:


Ms. Saltz related the tale of an Australian woman who came to New York in 2006 to meet her at a book signing at Cooper Union. The individual was battling cancer and had tattooed song lyrics on her forearm in a beautiful script. Ms. Saltz's voice strained with emotion as she recalled how the woman had warmly thanked her for writing the first Body Type book, which gave her strength as she struggled with the disease. The accompanying text from the book delves deeper:
“This is from the Lou Reed song, ‘I Believe in Love.’ I love music and I love red. Three months after I got this tattoo I was diagnosed with breast cancer and two months later I found out I have secondary cancer in my bones, which is incurable. I have up to eight years left, so everything in my life has been put into sharper focus. I live life now; that’s my job. Now, looking back, my tattoos seem almost like a premonition, ‘music, music, music, it’ll satisfy your soul . . . ’ is a permanent marker of what is important to me and a reminder to follow my heart’s desires.”

Such passion, not just for the tattoos, but for the motives that drive people to decorate their skin, appeal to me as someone who appreciates a tattoo much more knowing what has inspired it.

After the presentation, the audience lined up and my friend Janet joined me. Janet is an early subject of Tattoosday, and even has a type-ish tattoo (see her post here). A tattooed woman named Izzy in front of us overheard me talking to Janet about Tattoosday and we quickly struck up a discussion.

Izzy is working on a fascinating project in which she is hoping to catalog tattoos with the Library of Congress. Fascinating and certainly quite ambitious! We spoke at great length, both before and after meeting Ms. Saltz, discussing tattoos and our respective endeavors.

When it was my turn to meet Ms. Saltz and have her sign my copy of Body Type 2, I introduced myself and told her about Tattoosday.

Photo by Janet Loder-Berthelon

She was happy to hear I had heard about her through Elizabeth and how difficult it would be to include all of her typographical tattoo, all twenty-six parts of it, in a book form.

© 2009 Tattoosday

It was wonderful meeting the author whose books originated a lot like Tattoosday's first inspiration. She saw the word "happy" in Helvetica typeface on a crosstown bus; I was haunted by a woman's gorgeous Keith Haring chest piece at the 2007 Siren Festival on Coney Island.

I recalled one of my favorite tattoos from the new collection:

© 2010 Ina Saltz

Toward the end of her talk, Ina Saltz thanked many of her subjects who were in attendance that evening. One gentleman, smartly attired in a sport coat waved from the back of the room. Ina's face lit up and she identified him as the bearer of the tattoo seen earlier in her slide show, the owner of a Ann Sexton poem, excerpted on his biceps. "See," Ms. Saltz proclaimed, "looking at him, you wouldn't know he had a tattoo, would you?"

The crowd murmured its assent. I sighed, wishing he had been wearing a t-shirt so we could all see the poem again.

If you aren't familiar with The Body Type books, you are missing out on something special. They're lovely volumes dedicated to the wordy tattoos that I love so much.

And as a bonus, clicking here will show you a few dozen Tattoosday with the label "words".


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Tattoosday Goes to Hawai'i: Tricia Allen's The Polynesian Tattoo Today

This is the first of many posts to follow from my recent trip to the beautiful state of Hawai'i....

On Saturday, April 24, I had the distinct pleasure of meeting a tattoo artist and writer who I have admired for quite some time.

I previously spoke about Tricia Allen when I looked at her book, Tattoo Traditions of Hawaii.


Now, with her new book freshly published, I not only got to have my copy signed, but I was fortunate enough to be there for the tattoo contest that followed.


The competition was divided up into four categories (Traditional Polynesian, Tribal, Non- Polynesian and Color). The whole event was pretty laid back, as far as tattoo contests go. In fact, there was a lot of work that was not entered among the audience that could have been in the money, so to speak.

With a heavy focus on the Polynesian style, the two entrants in the color category meant my tiger could have won third prize, at least, had I been astute (and courageous) enough to enter.


In the Traditional Polynesian category, I was particularly fond of Tino Hoffman's thigh piece (pictured, left) with a honu (sea turtle) at the center. Although one could also not help buy be impressed by Robert Medeiros (right), whose canvas merited him top honors in the Tribal category.

A whole slew of photos from the event can be seen here in one of the Facebook albums on the 808Ink fanpage. The magazine premieres next month as a quarterly publication dedicated to tattoos in and around Hawai'i.

It was clear to me that one of the many talents present was the namesake of Tattoos by Bong. I even had a chance to meet Bong, who was responsible for the incredible art on Mr. Medieros.

Having just flown in earlier that day from New York, I most likely would have been a little more hyper-involved with the post-contest mix of book signing (even the subjects featured in Ms. Allen's book were signing the pages on which they appeared) and tattoo admiration among the dozens of contestants and throngs of tattoo fans. But, as 10:00 PM approached, my internal clock was still screaming at me from the Eastern Time Zone yelling "4AM! 4AM!". So i had to bow out a little earlier than I would have liked to.

I spent just under five days on Oahu, and was amazed by the amount of tattooed folk I spotted, much more than I remember seeing just a few years earlier. The skyrocketing popularity of tattooing on the mainland is certainly mirrored in the fiftieth state and amplified, it is safe to say, by the deep roots of tattooing in Polynesian culture and history.

Nowhere is this more apparent than in the beautiful, glossy pages of Tricia Allen's new book, which receives a ringing endorsement from us here at Tattoosday.


The book is no tiny effort. At 285 pages, it features hundreds of full-page color photos of various styles of Polynesian tattoos, not just from Hawai'i, but from all around the South Pacific. In addition, many of the artists who created the work are profiled in the back section of the book.

I cannot help but enthusiastically recommend the book to all. It certainly made my flight back to the East Coast a lot more enjoyable. My biggest regret was not being in Hawai'i long enough to be able to have Ms. Allen tattoo me, an activity at the top of my to-do list in the future.

One more ringing endorsement comes from Ed Hardy: “This collection of amazing photos attests to the high level of artistic achievement and technical ability of the Polynesian people today, as well as non-islanders who have been heavily influenced by the art of the Pacific.”

Buy your copy from Tricia's website directly here and while visiting the site, explore the galleries, sign up for her newsletter, and check out her schedule to see when and where she will be tattooing and/or signing copies of her book in the future.
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